Film & TV
Film & TV
Your ticket to Hollywood.
Whether you're looking to work in front of the camera, behind the scenes, or both, we offer top training in acting, cinematography, directing, producing, the business of entertainment, and much more.
Our award-winning instructors (many of them Oscar, Emmy, or Grammy winners themselves), give you more than a theoretical education. They show you how to get started, get the job, and make your mark.
We offer industry exposure and access in the form of internship opportunities and student screenings, including our UCLAx Film Fest, as well as networking and pitch night events.
The proof is in the pudding: many of our students go on to work at top entertainment companies, or become award winners or nominees themselves.
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Film & TV
Courses
FILM TV X 476.22
Story Analysis for Film and Television
Comprehensive overview of story analysis and the tools used by the professional reader. Throughout the course, you learn and practice coverage skills while gaining an understanding of the elements of story.
FILM TV X 476.244
Story Development Workshop: Crafting Your Original Story
Producers, development executives, directors, and writers gain practical experience adapting and developing their own stories for motion pictures, movies-of-the-week, and miniseries.
FILM TV X 479.482
Television Development: From Idea to Small Screen
Delve into the world of television development and learn how to successfully grow your idea into a full-formed pitch that is ready to sell. This class will focus on assessing the TV marketplace and crafting your pitch.
FILM TV X 423
Television Series Development Workshop
This workshop is designed for producers, development executives, and writers seeking to understand all the elements that go into an original series proposal for television from the original idea to a completed pitch.
THEATER X 409
The Actor's Tool Box: Creating Emotional Truth
Gain acting tools and techniques to help you create true-to-life characters with emotional depth in this workshop, by learning how to draw emotional material from tools that are both external and internal to the actor.